Dod-iy / My Beloved

For July, each post examines an Old Testament name of God.

Dod-iy / My Beloved
(pronounced: "dohd-EE")

Now let me sing for my Beloved my love song ...
~ Isaiah 5:1 (author)

His mouth is most sweet,
Yes, he is altogether lovely.
This is my beloved,
And this is my friend ...
I am my beloved's,
And my beloved is mine...
I am my beloved's,
And his desire is toward me...
Make haste, my beloved.
~ Song of Solomon 5:16; 6:3; 7:10; 8:14 (NKJV)

Song of Solomon is in the Hebrew called "Song of Songs." This most beautiful, most sensual, most romantic love song is indeed a song above all others, composed as God's very Word.

The ballad may—nay, must—be read two entirely different ways to be appreciated. (It helps to use a translation such as the NKJV which identifies speakers, based on the gender and quantity of Hebrew pronouns, which are otherwise unclear in the English.)

One first reads this short book as the account of King Solomon and his Shulamite bride, named by him only as "My Love." Scripture's portrayal of consummated romance is the model for wedded lovers of all times. The poem never ventures into the graphic illustrations characteristic of our culture. It instead draws upon evocative imagery which piques the imagination. The kiss with which everything begins is described in the words "Your lips, O my spouse, drip as the honeycomb; honey and milk are under your tongue ..." (4:11)

But such imagery is not what elevates this poetry as the Song above all other songs. Ready to take romance up a notch?

The fuller understanding of Solomon's love song requires a second full read, identifying "My Beloved" as the divine Bridegroom. The king and his bride are an allegory of the King of kings and His blood-purchased bride, the church. Song of Songs is poignant revelation of Christ's all-consuming love for us.

This most excellent romance expresses things such as how we see ourselves ("do not look upon me, because I am dark"), and how our Beloved sees His bride ("Behold, you are fair, my love!") He lingers over every part of her, noting every detail (4:1-15; 7:1-8)—even as the Holy Spirit seeks to touch every part of our lives.

Surprising details include the bride's ability to captivate her Bridegroom with her mere glance ("My sister, My spouse, you have ravished My heart with one look of your eyes"), and even overwhelm Him with her gaze ("Turn away your eyes from Me, for they overwhelm Me"). Her detailed description (5:10-16) of the One she calls "My Beloved" demonstrates a long study which has taken Him in completely. When His bride describes the King to others, they are compelled to seek Him out, that they might look at Him for themselves (6:1).

The entire protrait is not of submission to a Husband's dominion, but of a bride surrendered to her Lover's delight in her and of her delight in Him. I have attempted to say enough to capture your interest, without spoiling Song of Songs for your own read. The best is left to be discovered.

I close with a last observation. The passionate zeal of both human and divine romance is depicted as nothing less than the very "flame of YAH" (8:6)—tomorrow's final name in the series.

Feedback appreciated! Post to BuildingHisBody.com "Comments" or e-mail to BuildingHisBody@gmail.com. Copyright 2009, Anne Lang Bundy, all rights reserved.